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People of Print

  • Archive of Rot: Time and Memory Through a Neurodivergent Lens — Paige Lee Miller

    February 26, 2026

    Texas-born and London-based interdisciplinary artist Paige Lee Miller, a Verified People of Print Member, confronts the overstimulated condition of contemporary life in her ongoing installation project, Archive of Rot. First presented as part of American Bacchanal (12–15 February, London), a group exhibition examining American identity through the lens of decadence…

  • Japanese Woodcut Course in Bergen with Shoichi Kitamura and Miyuki Ninomiya

    February 26, 2026

    This August, Bergen will host a rare opportunity to learn the traditional Japanese art of Mokuhanga in an intensive five-day course running from 10–14 August. Led by master carver Shoichi Kitamura and artist Miyuki Ninomiya, the course offers a hands-on introduction to centuries-old Japanese woodblock printing techniques. Open to all…

  • City Series #001: Koblenz & Gent with Lukas — Surface Design at Canyon

    February 26, 2026

    Welcome to the first instalment of our new City Series by People of Print, a collection of interviews exploring creative lives through the places that shape them. We begin in Koblenz and Gent with Lukas, Senior Graphic Designer at Canyon Bikes, whose work sits at the intersection of surface design,…

  • A Dose of Colour: Hannah Carvell’s New CMYK Screen Prints

    February 26, 2026

    Somerset-based screen printer and Verified People of Print Member Hannah Carvell is stepping slightly outside her usual style with a new series of playful CMYK screen prints. Launching with Googly Eyes and soon expanding into a run of mini weather-inspired pieces, the series leans into clouds, sunshine and exaggerated eyes…

  • You Don’t Own Me — Liz Payne

    February 25, 2026

    In a time shaped by rapid technological change and the growing presence of AI, Liz Payne’s practice returns insistently to the hand. Her work exists at the intersection of art, craft, design and technology, subverting traditional expectations of textile practice while embracing its labour and physicality. You Don’t Own Me…

  • MAAP x P.A.M IV: Outer Terrestrial Space Travel

    February 25, 2026

    Is there anybody out there? On February 17, premium cycling apparel brand MAAP and cult fashion label Perks and Mini returned with the fourth chapter of their ongoing collaboration. Titled Outer Terrestrial Space Travel, the new capsule pushes their shared language further into cosmic territory. Under astral light and guided…

  • Fixed and Flux: Aaron Pennington’s Variable Intaglio Edition

    February 25, 2026

    There is something quietly powerful about a print that refuses to repeat itself. In Cascade (How will you know where to go?), Verified People of Print Member Aaron Pennington presents a series of two-plate aquatinted line etchings in a variable edition of twelve. Each print features the same architectural image:…

  • Postcards From Nowhere: Simone Ambu Unlocks Creativity Through Vintage Intervention

    February 23, 2026

    For Berlin-based multidisciplinary artist Simone Ambu, known as Sambu Studio, Postcards From Nowhere did not begin as a formal project. It began as a way out. After a period of creative stagnation, Ambu found himself unable to move forward with new work. Even understanding the reasons behind the block did…

  • Microcore – Tanya Tang

    February 23, 2026

    Microcore is a risograph-led project by Tanya Tang that takes a critical look at the rise of micro-trends within the fashion industry. Rooted in both personal experience and wider cultural observation, the project uses print and metaphor to question how quickly trends are created, consumed, and discarded, and what that…

  • The North Face × CDG SS26 Merges Technical Outerwear with Conceptual Minimalism

    February 21, 2026

    The North Face has unveiled its latest collaboration with CDG by COMME des GARÇONS, presenting a Spring/Summer 2026 capsule that explores the territory between technical outdoor apparel and conceptual fashion. Rooted in the idea of freedom through exploration, the collection brings together The North Face’s performance-driven heritage with CDG’s stripped-back,…

  • Chaukor: A Pixelated Devanagari Font by Shivanshi Gupta

    February 21, 2026

    Chaukor is a pixelated Devanagari typeface by Shivanshi Gupta, developed as part of a type design course at MIT Institute of Design Pune. Built entirely from four-sided rectilinear shapes, the name reflects both the visual construction and the conceptual intent behind the font: a simplified, bitmap-inspired system that combines playfulness…

  • A Year of Posters — Sergio Membrillas

    February 21, 2026

    Sergio Membrillas has gathered a year’s worth of concert posters into a single newspaper-format publication, creating what feels like both an archive and a snapshot of a specific moment in his practice. Produced under the name Office of Professional Illustration, the 24-page newspaper brings together posters designed for bands across…

  • Pinko Joe: Christopher Sperandio’s Relentless Satire in Print

    February 20, 2026

    Since 2020, Christopher Sperandio has produced more than 6,000 drawings, prints, and paintings under the name Pinko Joe. Combining text and image, his work operates as a sustained act of political resistance and social engagement. Through satire, slapstick, and the visual language of vintage comic books, Sperandio confronts contemporary power…

  • Surge In Canadian Pride Brings A Risograph To Every Pocket

    February 20, 2026

    In early 2025, as restrictive US trade tariffs and renewed rhetoric about Canada becoming the “51st state” circulated south of the border, a wave of renewed national pride began to take shape across Canada. Illustrator, graphic designer, and printmaker Paul Dotey responded not with slogans, but with paper. Under his…

  • On Signs: Nicholas H. Ruth and the Back of the Built World

    February 20, 2026

    Signs structure how we move through the world. They direct, warn, instruct and inform. In semiotic terms, a sign is a site of representation, one thing standing in for another. Yet in the built environment, signs carry more than the words or symbols on their faces. For Nicholas H. Ruth,…

  • Dirty Laundry — Shrivaani Poddar

    February 19, 2026

    Dirty Laundry is a series of 53 intuitive illustrations by Shrivaani Poddar, a multidisciplinary graphic designer currently studying at the Glasgow School of Art. What began as a casual sketching exercise evolved into a quietly powerful body of work rooted in observation, repetition, and metaphor. The series started simply. During…

  • Io Ritorno: Michael Vasquez Explores Memory Through Risograph and Return

    February 19, 2026

    Io Ritorno is a self-initiated risograph-printed, spiral-bound zine by Michael Vasquez, created under the name Vasqmic. Printed at Outlet in Portland, Oregon, where he previously worked as a studio assistant, the publication uses the studio’s materials and processes as a direct extension of his own practice. At its core, Io…

  • Born From the Blues: Laura January’s Handmade Fabric Banners of Hope and Pessimism

    February 19, 2026

    January Blues is a handmade banner and screen-printing project created by Laura January, born during the early chaos of raising twins and shaped by music, lyrics, and poetry. What began as an experiment at her dining room table has developed into a tactile, typographic practice rooted in experimentation and the…

  • Wampís Resistance: Defending Life — An Illustration by Diandra Rodríguez Armas

    February 18, 2026

    Wampís Resistance: Defending Life is an editorial illustration by Peruvian illustrator and designer Diandra Rodríguez Armas, also known as Didicolores. The work depicts the Wampís people defending their ancestral territory along the Santiago and Morona rivers in the Peruvian Amazon. At the centre of the composition, a spear formed by…

  • BOTNET — A Reduction Woodcut by Christoph Kleinstück

    February 18, 2026

    Hamburg-based illustrator and printmaker Christoph Kleinstück turns his attention to the invisible infrastructures of the digital world in BOTNET, a five-colour reduction woodcut exploring global bot networks, the Internet of Things, cyberspace, and the persistent influence of robots and cyborgs in popular culture. At the core of the work is…

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