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People of Print

  • TASCHEN’s Biannual Sale Returns: Here Are Our Picks

    August 31, 2026

    Art-book lovers, take note: TASCHEN’s biannual sale lands this week, and it’s the kind of event that makes even the most disciplined coffee-table-book collector lose all restraint. From Wednesday, September 2 to Sunday, September 6, TASCHEN is offering up to 75% off across its catalogue: art, fashion, photography, design, architecture,…

  • The Invisible Layer: How Print Is Becoming a Sophisticated Security System

    August 31, 2026

    Curtis Packaging has become the first printer in the US to embed invisible security features directly into luxury packaging during the printing process, through a certification programme from Koenig & Bauer’s Vision & Protection system. What this means for packaging design is more interesting than it might first appear. Most…

  • Gradspotters: Shekar Menon and the Visual Language of Cities

    August 31, 2026

    People of Print’s Gradspotters programme spotlights emerging graduate talent working in print and image-making. Our latest prospect is Shekar Menon, a Mumbai-born graphic designer based in New Jersey who holds an MFA from MICA, whose practice is built on reading cities through their signs, textures and everyday visual culture. Shekar…

  • Print on Demand Just Got a Lot More Interesting for Independent Comics

    August 31, 2026

    Comix.one has partnered with HP’s Graphics Solutions Business and its global network of Print Service Providers to relaunch print-on-demand for independent comics, rolling out across the US, Canada, UK, EU and Australia from late 2026. For independent creators, this is a significant development. The independent comics world has spent years…

  • Gradspotters: Joel Allen and the Case for Physical Media

    August 30, 2026

    People of Print’s Gradspotters programme spotlights emerging graduate talent working in print and image-making. Our latest prospect is Joel Allen, a First Class Graphic Design graduate from the University of Portsmouth, ISTD member, and passionate advocate for letterpress, screen print, Risograph and the enduring relevance of tangible, tactile formats. Joel…

  • Gradspotters: Liv Virnich and the Politics of Collaboration

    August 30, 2026

    People of Print’s Gradspotters programme spotlights emerging graduate talent working in print and image-making. Our latest prospect is Liv Virnich, a Hamburg-born graphic designer and screen printer completing her BA at HBK Braunschweig, heading to a Masters at UdK Berlin, and currently working at Viadukt screen printing studio in Vienna.…

  • Whose Memory Is a Place? Shir Daniel’s RIVERSIDE

    August 25, 2026

    London-based illustrator and animator Shir Daniel draws postcards from memory of Hyde Park’s water areas, exchanges them with strangers for their own stories, and builds an animation and Risograph journal that asks how memory shapes our relationship with place. Shir Daniel moved to London and began spending time wandering the…

  • A Relic of Something Which No Longer Exists: Scarlett McAdam’s Pieces

    August 25, 2026

    Recent graphic design graduate Scarlett McAdam makes a single handmade book about sentimental object attachment during one of the most turbulent periods of her own life, combining research, personal writing and photography into a publication that is as much a creative outlet as a final year project. The project began…

  • Quickfire with EXP – Designers of James Cropper Creates NEW Identity

    August 24, 2026

    James Cropper Creates is more than a new identity; it’s a platform for artists, makers, and designers working with paper. We caught up with EXP for a quick-fire interview… One typeface that never lets you down? CG:  TG: I hate to get stuck with one typeface, but EXP uses Studio…

  • Opening the Mill Doors: How EXP Built the Identity for James Cropper Creates

    August 24, 2026

    James Cropper has been making paper in the Lake District since 1845. When the mill decided to build a creative community platform connecting artists, makers and designers with the world of paper, they turned to EXP, the Manchester-based creative agency they have trusted for over a decade. The result is…

  • Better to Bloom as a Bunch: Katrina Vera Wong’s Pocket Sciart Guides

    August 24, 2026

    Under KVW Publications, artist and editor Katrina Vera Wong publishes a series of pocket guides to plant families, each featuring ten works by ten artists on ten plants. The sixth issue covers the nightshade family, Solanaceae, in a wrapped accordion fold designed to be both beautiful and educational. Katrina Vera…

  • The Pandemic Personified: Shekar Menon’s Doom’s My Religion

    August 23, 2026

    New Jersey-based graphic designer Shekar Menon collaborates with alt-R&B musician Saachi Rajadhyaksha and producer Ayan De on a mixed-media audiovisual piece that uses letterpress, screen printing, frame-by-frame animation and archival footage to give the COVID-19 pandemic a voice. Doom’s My Religion is the pandemic personified, not from the perspective of…

  • If You Feel Pain and Danger Beneath It, That Is Equally True: Scarlett Yang’s Her Feast

    August 20, 2026

    London-based Chinese illustrator Scarlett Yang creates a series of five works drawing on 17th-century Dutch sumptuous still-life painting to explore how abuse can be disguised as intimacy, transforming cut fruit, flowers, sweets, seafood and animal remains into a ritualised banquet where women are symbolically consumed. Pronkstilleven, the lavish Dutch still-life…

  • The World’s Largest Collection of Contemporary Visual Messages to Change the World: Fight for Kindness

    August 19, 2026

    The Online Gallery of selected posters from the V edition is online Every letter carries a message. Every message has the potential to create change. Born from the belief that typography can be more than a tool for communication, Fight for Kindness 2026 celebrates the transformative power of letters to…

  • Every Voice Heard: Sam Wilde’s Tessellation Installation at the V&A

    August 11, 2026

    British artist Sam Wilde invites V&A visitors to co-author a vast hand-drawn frog tessellation, distributing over one thousand unique tiles in blind-box booster packs to create a live, shifting public artwork shaped by chance and individual choice. More than one thousand frogs. Each one hand-drawn, unique, cut from FSC-certified birchwood,…

  • Meaning Emerges Through Instability: Raina Redcross’s Coexistent Language

    August 11, 2026

    New York-based graphic designer Raina Redcross develops her Parsons Communication Design thesis into an editorial, motion and wearable project that translates biological mimicry into a visual language, using distortion, material layering and image manipulation to construct visuals where meaning shifts with perception. Mimicry in nature is a survival strategy: camouflage,…

  • The Eye of Others Is Both the Spotlight and the Pressure: Maria Tabarcea’s Relentless Gaze

    August 11, 2026

    Bucharest-based illustrator and art director Maria Tabarcea creates a series of RGB prints exploring the tension between the desire to be seen and the weight of being watched, drawn from the real and ongoing experience of existing as an artist in digital space. There is a tension that anyone building…

  • A Tool, Not a Series: Studio Studio’s Parametric Poster Engine for 3 sec Gallery

    August 10, 2026

    Ghent-based Studio Studio designs a generative poster system for a roadside exhibition space in Breda, building a parametric tool that produces compositions from typographic parameters and prints its own settings on each export, making every poster fully reproducible and the tool itself publicly accessible. 3 sec Gallery is a parking-site…

  • Weird Doodles into People’s Hands: Eric Reigert’s iPad-to-Plywood Prints

    August 10, 2026

    Art Director Eric Reigert takes digital illustrations from his iPad, laser-engraves them onto shina plywood, and finishes each one with a hand-painted background to create tactile, one-of-a-kind prints that get his work off a screen and into the world. The process started with a simple frustration: digital illustrations are invisible…

  • Rebirth at the Centre: Zhao Hong’s Chronicles of Nezha

    August 10, 2026

    Penang-based illustrator and Riso printmaker Zhao Hong Low, aka Inking Liox, creates a large-scale flower-shaped risograph wall piece for a collaborative Malaysian print exhibition, narrating the mythic rebirth of Nezha across five assembled A3 sheets in four colours. Nezha, the Third Lotus Prince of Chinese mythology, is a figure of…

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