Le Raclet is a new People of Print Member and screen-print studio specialising in fine art and high-end silkscreen. Founded by artist printmaker Bera in Milan in 2007, and then relocated to Berlin in 2010, the studio has been working in collaboration with artists, illustrators, designers, small and big galleries, to produce the highest quality water based, hand pulled screen-prints. Even though being a one woman operation, the studio hasn’t stopped growing, and in over a decade of practice, has learned to translate ideas, through a collaborative process and challenging projects that great artists and creatives keep bringing to the studio.
Le Raclet offers a bespoke, consultancy driven, printing service to artists and creatives, and since 2017, in the occasion of its 10th anniversary, has began a series of screenprint publishing projects that has involved some of the most relevant artists in the contemporary independent design scene. This wonderful project has a strong interest in all-round creatives that do not crystallise their own practice in a particular sphere of the arts, but that adapt their work in different fields such as fine art, illustration and graphic design.
The Studio took therefore has taken a more curatorial direction, organising, printing and hosting screen-print exhibitions. Amongst the most recent “Ten-Ten”, held at Le Raclet Studio in Berlin in September 2017, which presented the unique work of ten international and contemporary artists, including Bráulio Amado, Eike König, Jordy van den Nieuwendijk and Olimpia Zagnoli, hand screen-printed by Le Raclet in limited editions.
The studio quickly found international recognition with the exhibition “The Printers’ Prints” held at the Jam Factory Gallery in Bangkok, that saw Le Raclet exhibiting its inhouse editions, alongside the work of artists of Thai origin, carefully handprinted by The Archivist, a renown screenprint studio based in Bangkok. In September 2018 Le Raclet organised a new group exhibition: “Swinging Arms” hosted by Odd One Out Gallery in Hong Kong. Passionate as from the beginning, and still devoted to the arts, Le Raclet hasn’t lost its enthusiasm and couldn’t be happier to keep producing colourful work and to engage in new meaningful collaborations with both Berlin based and international artists, who are the reason why the studio keeps believing in printmaking.
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